
This is the first decent horse I've ever drawn from imagination. Woohoo! I like it, but I bet I'll look at it sometime in the future and find some fault I can't see right now.
Some of my good stuff...






Here I'm just copying the mighty Jean Giraud, or GIR, or Moebius.

I learned to appreciate artists who can really draw horses when I worked with my friend Gerald Forton - I met him on a job and watched as he drew perfect horses in action straight in ink, no under drawing! (Here is a pic of him in his studio). It was humbling then, and still is as I try to steal an hour most nights to finally learn this stuff.
This diagrammatic drawing is boring and painful, but I included it for the students out there (isn't that all of us? You can't avoid this stuff). I didn't get a good art education, so copying (and drawing from life) has been critical to me.
The FAC book has some drawings by the great Harold Von Schmidt, who has somehow ended up mostly forgotten compared with Cornwell, Loomis, etc. He was a mighty talent.
I switched from Prisma pencil to charcoal - not digging the results.
This page was a lousy likeness of the model, so I tried to use the rest of the paper.
Another bad likeness of a different model - I'm seeing a pattern here...
This one actually kind of looks like the model! Not gonna mess up the page with a bunch of horse butts!


Early on a show, trying to warm up at home before I have to jump in.
If you're trying to draw realistically, you need an endless supply of new information - you can't just learn the academic stuff, then ignore life around you. You have to draw from life, even if it seems like you aren't getting anything out of it. I didn't keep a sketchbook for ten very busy years while I was buried in work and I regret it - my work showed it as I plateaued. Now I'm back to it, and my work is slowly improving, but most importantly, I've got the drawing bug again! Keep drawing folks...




We have these long video conferences with New Zealand, and sometimes it takes several minutes to reconnect, blah, blah, blah. I've always wished I could do some kind of reportage type sketches - capturing the essence of a scene- I do my best while we are all waiting around...



Early on, I looked at the seven fold types in Bridgeman, but it didn't help me that much - mostly because I was still struggling with basic figure drawing. Once I realized that I'm actually a cartoonist, not a painter, (who actually would have to show all seven fold types), drawing drapery got easier. I started paying attention to seams, and trying to explain a fold with only 3 or 4 lines. Also, I thankfully found Toth, and the Famous Artist Course. There is a great book on drawing the clothed figure: Drawing People. Don't hesitate to buy it - amazingly, there is no other book out there like it.
