
I like watching old movies, trying to get an impression of the folds as the figures move. It's amazing how many shots are just guys wearing suits. I tend to be obsessed with the things I can't draw over the years, and shoulders / necks / clothing has always been high on my list. Probably because it ends up so often in your framing if you storyboard live action.


I like the authority and direct drawing of these TV doodles -- I'm still struggling to be this fast and accurate when I storyboard. The figures in my boards don't usually look like this. I probably draw better when I'm not worried about the myriad stresses of an actual job...

Here is a great interview with the mighty Alex Toth, (from the Jan. 2001 Comic Book Artist Magazine ), which helped me to not be so precious with my sketchbooks...

